“The camera or the eye captures light. And it captures more or less beauty depending on how you hold the full and empty spaces (lights and shadows). Beauty is an expression between two poles. Can you sustain the tension while maintaining peace?
The phenomenon is the same as in Love: it is overcoming Pan (the myth of Pan, the instinct to possess beauty as a representation of the pure, the divine). If you are able to “activate” more photons, you will see what you couldn’t see before.
Every photographer seeks that magical moment when beauty is unleashed before them. It’s not random; it’s a phenomenon that has its “chemistry.” There is an entire ecosystem of qualities that make this happen.
The state of the observer determines the medium because they are connected to it.
Contemplating beauty is recovering the connection (sphere mind).
With the advent of AI, the work of the creator is being artificialized or automated, and this can affect the development of the observer. My intention is to open the field to human development.
The interaction with the spectrum is our interaction with the Sun, and it occurs from an affinity that stems from one’s own chemical order. Sunlight is also information. I discovered that in living beings, it’s like a natural GPS that functions as a reference for self-restoration. Self-restoration is a biological function that operates from chromatic principles. I discovered that the spectrum is more than just waves; it’s the well-defined language of the elements that make up matter, life. And I discovered how thinking beings interact with it, and we can also capture that interaction in the environment.
If you are part of something, you synchronize with its spectrum. Human development opens up a new and innovative field for photography.
We enter the world of Ether, the vital state of nature, a continuous bioluminescence of macro or micro intensity, and a challenge for any observant photographer. What determines whether we see it or not? I have discovered that it is simpler than it seems. Seeing the Ether or the camera capturing certain colors is a matter of several factors that occur at the moment of interaction. They are part of the “field,” the photographic ecosystem of a moment. A state of deep attention/investigation, connection with the field (sphere mind), and an exact positional state of the internal and external observer. The “Solar GPS” is one more coordinate; the internal state of the observer is another. An extraordinary combination must occur, generally unusual from our normality. You just have to be yourself; the rest comes by itself.
The observer activates the field, makes it happen… And the captures it.
What does the state of the observer consist of?
How much difference between light and shadow can you sustain?
The eye is the most sophisticated camera in existence, although the technological camera is capable of capturing light that the eye doesn’t (it has no prejudices. It doesn’t debate between full and empty spaces). The interaction happens outside of time, and we can perceive it within milliseconds if we know how to be attentive. When we observe attentively, there is no respite… in that moment, the mind, in a state of deep investigation, inspired by will and with pure attention to that entire field, is capable of generating ions that They interact with the environment. If you add information to that electric field, it arrives. If you are part of the field, synchronization occurs and the spectrum is revealed.
The electric field is a vehicle. Seeing something as an image is like “taking photons somewhere.” Information is in the form (matter is laws). Information is the timeless existence of something (the idea). We see objects in the physical world, but it’s only an illusion. What is real (timeless) is information.
True art is being human. Extracting beauty is something that must happen before editing. That is our true development, that of the observer.
AI is a tool that replaces the observer; it shows their lack. The art of editing can be the same field from the connection with the image, but not with the idea. If a photo is edited beyond a crop, it is another art, and it must be considered for what it is.
What lies behind the mystery of the idea-image-form?
Expanding the brain is expanding the way the brain connects. And then we perceive In these things, we see reality as it is.
The artist is created within.
This space is contact photography (the “before”). It is the interaction with the photon, the making of it happen. I call it Etermynd.
NOTE: The photos I present are free of editing beyond a cropping or erasing of the sensitive image. My intention is to develop myself to show human work, “natural technology.” “